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	<title>Brian Risk's Blog &#187; Intellectual Property</title>
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	<link>http://brianrisk.com</link>
	<description>Can it be?</description>
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		<title>iTunes adopts Taco Bell pricing:  .69, .99, $1.29</title>
		<link>http://brianrisk.com/itunes-adopts-taco-bell-pricing-69-99-129/</link>
		<comments>http://brianrisk.com/itunes-adopts-taco-bell-pricing-69-99-129/#comments</comments>
		<pubDate>Tue, 07 Apr 2009 15:44:28 +0000</pubDate>
		<dc:creator>Brian Risk</dc:creator>
				<category><![CDATA[Intellectual Property]]></category>

		<guid isPermaLink="false">http://brianrisk.com/?p=617</guid>
		<description><![CDATA[I&#8217;m going to quickly address the game last night: What the hell? I mainly watched Mad Men episodes and occasionally flipped to the score. So long, &#8217;05. On to the real news: iTunes tiered pricing! Jobs fought this for so long. I forget his reasoning but he hated the idea of different prices for different [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;m going to quickly address the game last night:  What the hell?  I mainly watched Mad Men episodes and occasionally flipped to the score.  So long, &#8217;05.</p>
<p>On to the real news:  iTunes tiered pricing!</p>
<p>Jobs fought this for so long.  I forget his reasoning but he hated the idea of different prices for different songs.  Maybe Jobs wanted not to affect the way music executives did business, but the way musicians made albums.  Maybe Jobs wanted less filler tracks; maybe he wanted artists to produce each song so that it would be worth it to put it on an album.  I doubt this, but I do appreciate its affect.  I&#8217;ve mentioned this before but I&#8217;ve noticed that there are many more albums now out there that are more EP than LP.  I think gone are the day when you tried to push for the 80 minute long album.  Sure that made sense when the best game out there were CDs; it made the CDs seem more valuable when there were more songs.  But now filler tracks are obviously filler and why should I pay the same price for &#8220;Happiness Is a Warm Gun&#8221; as I am for &#8220;Wild Honey Pie&#8221;?  C&#8217;mon, John Lennon!</p>
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		<title>Obama &#8216;Hope&#8217; Copyright Musings</title>
		<link>http://brianrisk.com/obama-hope-copyright-musings/</link>
		<comments>http://brianrisk.com/obama-hope-copyright-musings/#comments</comments>
		<pubDate>Tue, 10 Feb 2009 16:44:21 +0000</pubDate>
		<dc:creator>Brian Risk</dc:creator>
				<category><![CDATA[Intellectual Property]]></category>

		<guid isPermaLink="false">http://brianrisk.com/?p=580</guid>
		<description><![CDATA[The Associated Press is demanding an undisclosed amount of money from Shepard Fairey, the creator of the near-ubiquitous &#8220;HOPE&#8221; poster [Wireds article]. &#8220;Fair use&#8221; has got to be one of the trickiest bits of copyright law especially when, in this case, the work also neatly falls into the &#8220;derivative works&#8221; classification. Wikipedia has a nice [...]]]></description>
			<content:encoded><![CDATA[<p>The Associated Press is demanding an undisclosed amount of money from Shepard Fairey, the creator of the near-ubiquitous &#8220;HOPE&#8221; poster [<a href="http://blog.wired.com/27bstroke6/2009/02/obama-artist-su.html">Wireds article].</a></p>
<p>&#8220;Fair use&#8221; has got to be one of the trickiest bits of copyright law especially when, in this case, the work also neatly falls into the &#8220;derivative works&#8221; classification.  Wikipedia has a nice article on<a href="http://en.wikipedia.org/wiki/Fair_use"> fair use </a>which lays out the legal definition which include some helpful, enumerated points:</p>
<blockquote><p>In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include:</p>
<ol>
<li>the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;</li>
<li>the nature of the copyrighted work;</li>
<li> the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and</li>
<li>the effect of the use upon the potential market for or value of the copyrighted work.</li>
</ol>
</blockquote>
<p>The &#8220;HOPE&#8221; image strongly exemplifies the first point, however the fourth point is more interesting to me.  Is the market for the original AP photo negatively impacted by Fairey&#8217;s work?  Initially I think, &#8220;of course not&#8230; if anything it augments the popularity and, subsequently, market share of the original.&#8221;  However, if you followed the link to the Wired article, you&#8217;d have noticed that the &#8220;HOPE&#8221; image appears, but the AP photo does not.  That is because while Fairey&#8217;s image is free to use, the AP photo is not.  Many more news outlets may have licensed the AP photo but instead declined and instead opted to use the free &#8220;HOPE&#8221; image so so therefore it is possible that Fairey&#8217;s work has negatively impacted the market for the original copyright holders.</p>
<p>Of course, I am torn.  As a consumer of these works my life is only made better by the variety.  I&#8217;m thrilled by the popularity of Fairey&#8217;s image&#8230;. I have one hanging in my living room.  However, I can see the perspective of the AP photographer.  What&#8217;s your opinion?</p>
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